In many ways, the Hallyu phenomenon in America is deeply rooted in financial and economic matters. While the Hallyu effect throughout Asia has come to hold both economic and social implications, the spread of Korean culture in America is not magnanimous enough to affect American social values. Currently, K-pop’s biggest strides into the American market are largely focused on economics and business: the Wonder Girls are collabing with Nick Cannon, one of the biggest names in tween entertainment, and SNSD was signed onto Interscope Records, one of America’s largest music labels. Of course, many acknowledge that the idea of having Asian entertainers in an entertainment market saturated with non-Asians is interesting, at best. But largely speaking, it’s far from being a principal concern.
However, one cannot deny that there’s something quite staggering about the idea of Asian entertainers taking such a brazen approach to the American entertainment market. For years, Asian-American entertainers have struggled to break into an entertainment scene that has proven itself to be prejudiced towards racial minorities, particularly Asians. Currently, many Asian-American entertainers have taken to social media platforms such as Youtube to show off their craft. But despite the flood of Asian-American “celebs” on Youtube, racial imbalance and prejudice in American entertainment still make themselves known.
(...)Read the rest of K-pop and Asian America (898 words)
© Patricia for seoulbeats, 2012. |
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Post tags: Girls' Generation, SNSD, So Nyeo Shi Dae

